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Monday, January 27, 2020

Modernism In Scandinavia And Italy Cultural Studies Essay

Modernism In Scandinavia And Italy Cultural Studies Essay Modernism was not just a new style of thinking; it represented a new way of thinking, new ideas and a new ideology which was a shift from the contemporary ways of art, literature and architecture. Modernism, when defined roughly, refers to the contemporary ideas, notions, spirit and way of life. A more accurate definition would describe it as the change in the cultural values which originated in the form of cultural movements, and left their impact on the Western society in the late 19th and early 20th century. Some believe that modernism was an uprising against realism which was both conventional and conformist in its way of thinking. Some of the major political and societal changes which brought about the modernism were the post world wars situation. The huge developments and transformations in industry and technology coupled with the cultural exchanges, transportation and communication developments and influences from the West. The period of modernism in Scandinavia and Italy was both progressive and optimistic. It stems from the renaissance for the historians and was a cultural movement which impacted the Scandinavian and Italian art, architecture, music and literature. The breaking away from the conventional styles to newer representations in the period, where there was a shift from the traditional values. The period also marked growth and innovations in science, ethics, philosophy and psychology besides the previously mentioned art, architecture, music and literature. Different countries have had their share of influencing modernism. Modernism was reflected in art and styles and the streak touched many countries, with each nation contributing uniquely and overall adding to the progression. This period saw a change in the style and ideology of art during this era. The philosophy of art was transformed during this period in terms of the themes and subject matter, and also the use of colours, shapes and lines. The intellectual underpinnings of modernism emerge during the Renaissance period when, through the study of the art, poetry, philosophy, and science of ancient Greece and Rome, humanists revived the notion that man, rather than God, is the measure of all things, and promoted through education ideas of citizenship and civic consciousness. The period also gave rise to utopian visions of a more perfect society.  [1]   Every nuances of design, architecture or art captures the political and cultural aura of the time and place, and the modern art in Scandinavia and Italy reflected their countries situations in the modern art. Below is a modernism timeline which shows the significant events between 1920- 1970. Modernism in Scandinavia Scandinavia had a mixed dynamics of cultures, language and politics. This gave birth to a versatile and multi dimensional philosophy of art and design which became more assertive. The movement from Europe enveloped Denmark, Norway, Sweden, Iceland and Finland within its fold. The Scandinavian countries had their own unique, yet impactful role in the move towards modernism. The response to the stimuli from the modern world was distinctive. The countries were experiencing the same changes in the modern life- social equality, industrialization and urbanization. Nonetheless, the outcomes and impact showed the unique natures of art and skills that evolved, which gave individuality and characteristic art and design to each of the countries. Yet the distinctiveness was combined with features which were common to all the Scandinavian countries which include a unifying touch in terms of humanism, tradition, moderation, handcrafted perfectionism, modesty, quietude and purposefulness  [2]   which came to know as the style of the Scandinavian modern art. Among the European countries, the Scandinavian were able to portray the modern artistic touch in their traditional and conventional craft most expressively. Countries such as Denmark, Sweden and Finland which had internal dynamics and resources which led to an increased inclination towards the craft industries were most explicit in communicating the modern aesthetic in their art and craft.With the breakdown of the craft guild system in the mid- nineteenth century, they established a number of institutions to protect them from an influx of inferior, foreign mass-produced goods.  [3]  The Swedish Society of Craft and Industrial Design was formed to cultivate and maintain high standards in crafts. In the pre-1900 times, the Scandinavian countries derived their inspiration from the national traditions and folklore. The early works, which imparted and impacted the most to the modernism, included the Viking-revival imagery of Norway, arts and crafts movement of Nordic and the Swedish porcelain works which depicted the flora and fauna to their utmost beauty on vessels. Harmony in visual arts such as architecture, decorative arts, graphics and craft came through the Art Nouveau movement which gave a unifying touch to the art. The driving motivation behind the flourishing of modern art during the Art Nouveau was the dissatisfaction with historicism, and the mutual feeling that a newer and fresher design should be adopted in the new century. Gregor Paulssons book Vackrare Vardagsvara was the starting point towards the unifying of Swedish design. The Swedish design was directed towards achieving ideals of humanism and democracy, depicted through beauty and simplicity. National romanticism found initial grounds in Sweden and Finland; however there was a failure to translate this style into architecture as a unifying feature. Works of architects like Gustaf Ferinand is of particular importance. The Scandinavian countries followed a same trajectory, like the Copenhagen town hall in Denmark failed to integrate Richardsons example. Romanticism is Finland had become prominent in the late 1800s. The inspiration behind the Finnish modern art was their folk epic kalevala. Sonck was a prominent figure who built a granite church and used materials such as steel and concrete for Engels university library. Other major buildings include Tampere Cathedral and telephone building with characteristic masonry syntax. Finland had been an imperial colony of Sweden and Russia, and therefore Denmark was where the revival of Romantic Classicism originated. Tinges of classism were seen in Sweden quite some time later in works such as Carl Westmans Stockholm Courts. The ar chitecture saw a shift from national romantic and classical to neo classical. In Sweden the Romantic classical revival could not witness its pure form and was diluted by inflection of plan and iconography. Tampere Landmarks and Monuments: Tampere Cathedral (Tampereen Tuomiokirkko)  tampere_cathedral_view.jpg Alvar Aaltos had Asplund as the driving force. Both Aaltos and Asplunds work had several directions to them, and depict different levels of cultural development. The work saw varying contrasts of classical and vernacular architecture. Major works of Aalto, such as the apartments, clubs, churches and renovations were inspired by Asplund, and had a Doricist touch to them with an amalgamation of vernacular, Hoffmanns austerity of line and Italian. Aaltos Paimio sanatorium instilled the Functional style in the 1927-34 periods. Aaltos later works were inspired by Erik Bryggman, who was a Finnish architect, in which classicism was combined with the Soviet-Agit-Prop lead in architecture expression. The designs of Aalto derived inspirations from both Dutch and Russian Constructivism, and included the use of concrete, geometrical schemes and serial landscapes. Aalto was influenced by different peoples and philosophies in his works. His later career saw a shift from rational and technical idea s to human imagination, and the use of materials shifted from concrete to wood. This was the organic approach to style and design. Special consideration was given to the ambiance and environment of the architecture, with filtration of heat, sound and light. Hence, the designs incorporated the physical and psychological needs of the people. Efforts were made to ensure the control of environment, meet the peoples needs of privacy, suitable exposure to light and heat, design of ceilings and non noisy wash basins. The designs and features of the buildings were tailor made for each, so that the varying needs such as those of a library and hospitals could be met effectively. Aalto describes his anti mechanistic and more humanistic approach to architecture in the words, To make architecture more human means better architecture and it means functionalism much larger than the merely technical ones. This goal can be accomplished only by architectural methods- by the creation and combination o f different technical things in such a way that they will provide for the human being the most harmonious life  [4]  . Neo empirical times in Scandinavia(1930s) saw the anti urban streak in them with an inclination towards the humanistic and traditional inspired styles. Some remarkable architectures in this period include the powerhouse designed by Osvald Almqvist, Sven Markeliuss Swedish pavilion, the house of Gunnar Asplund and other similar styles of buildings. The basic features of architecture in both Scandinavia and Italy can be described in the words, the entire inventive effort of these architects consist essentially of devising flexible urban modules whose geometrical character permits articulations that fit well into natural site, leaving the color, simplicity, and traditionalism of the details to provide the more immediate directions  [5]  . The Scandinavian styles, which emerged after the post world war period, were the works of many talented Scandinavian architects and designers. The works of the architects was highly successful and impacted o only the Scandinavian countries but also the rest of the world as described in the following words, Self-confidence grew with the successes. The American Lunning Award, reserved for Scandinavian designers, provided a number of young talents with their American breakthrough. In 1954 Design in Scandinavia embarked on a three-and-a half year long tour of the US and Canada. It was not just beautifully crafted objects, but A Scandinavian Way of Living that was promoted. Danish teak furniture, Swedish crystal and textiles, Norwegian enamel, Finnish furniture and glass merged into a concept generally perceived as Scandinavian: blond, cool, distinct and refined. Its careful craftsmanship, perfection, harmony and natural feeling were seen as the dream of a better world in a Europe which had risen from the inferno of World War II. Remarkably, there are few countries today if any which continue to produce as many vintage designs as the Scandinavian countries, testimony to their timelessness, practicality and to the well-deserved argument they transcend the vagaries of fashion  [6]  . Modernism in Italy Modernism in Italy is closely linked to the social forces and is portrayed through the artistic strategies. Artists as individuals, or in groups, sought to demonstrate the change of the century and the change in the social environment (with culture and politics being the main drivers) through painting, design, music, literature and architecture.Two architects, Giuseppe Sommaruga  and  Ernesto Basile, were the major contributors to the Art Nouveau in Italy. Art Noveau also known as the new art was a movement of changing styles of art, applied art and architecture in terms of style. Italy was affected, better, influenced by Modernism such that the era brought forward architectural masterpieces that were at times either influenced by the works of foreign modernist architects or by older architectural designs. The 1925 renovation of Rome brought about changes in the Roman map as streets were re-built to connect ancient monuments with the monuments that were to be built by the Mussolini with the help of Marcello Piacentini. While declaring the plan for the reconstruction of Rome, Mussolini declared: In five years time, Rome must astonish the peoples of the world. It must appear vast, orderly and powerful as it was in the days of Augustus. Affinity of tradition was so strong during the modernist era that it was almost impossible to construct and design buildings that did not draw influence from ancient Roman architecture. They were, therefore, bound to retain a typical national character. The act of taking inspiration from the past was best settled by the argument that the traditions are not erased from the memories of citizens but only evolve into variations of themselves. However, the avant-garde architecture and modernism was viewed fearfully by those who had witnessed the devastations of the world war and regarded modernism in the technological spheres and other advances as the root cause of the war. The new slogan raised was therefore that of humanism, which incorporated that which was left in the pre war period. Special emphasis was laid on the psychological and physical aspects of the architecture of the people, the expressive use of materials, integration with the environment and incorporation of the traditions and societal factors. The art and architecture sought to remove the anti-technology and neo-humanistic approach and produce work which the people could identify with by having a relationship with them and incorporating traditions. This is referred to as the neo-empirical movement in Scandinavia and the organic movement in Italy. The urban areas began to have a domestic tinge to them, with an anti urban attitude emerging in both Scandinavi a and Italy. The themes of nature and pseudo-psychologism flourished in the Scandinavian architecture in the 1930s. The Italian architects drew their inspiration from the Scandinavian architecture and therefore the architecture in Italy showed the visible signs of being inspired from the Scandinavians. The social-democratic styles were particularly attractive for the Italian architects. However, Italian modernism was more richer than the following of Scandinavian styles only. The flair of Italian furniture design for expressing exclusivity and esprit was much better suited to the booming economy than the sparse aesthetics and good-natured folksiness of Scandinavian design, which was beginning to feel tame and stagnant. A decade earlier, Nordic coolness and order had been needed to help heal the spiritual wounds in a Europe that was still in ruins and chaos. But now young Nordic designers could no longer walk in the old footsteps. Scandinavian design became unfashionable, also in Scandinavia itself  [7]  . However, the Italian architecture had more depth to it in the Neo-Realism, rather than just being inspired by Scandinavian styles. The central concern was on the insistence on defining a common language that would be directly communicative for the poorer classes who were viewed as the protagonists of the postwar reconstruction  [8]  . Informal ground plans were laid out to pay reverence to impulsive forms of architecture and materials such as wrought iron and Roman style bricks were used with an emphasis on local dialect. This combination clearly referred to the peasant world adorned for its naturalism. Certainly the rediscovery of rural purity was simply one aspect of the cultural populism that was so in vogue in the post war Italian culture. It was a regressive utopia with nostalgic accents. But, as far as the architecture was concerned, it created a true proper ideology that was adequate to the particular role that the building industry was called to fulfill in the period of r econstruction  [9]  . The architects gave monumental forms to their creations, with features of structural expressionism to build an emotive contact with the masses. The Italian architecture should also be viewed from the perspective of the polemics for and against the Organic architecture. In the Renaissance, architecture was seen as the supreme artit also represented the highest artistic achievement a human being could attain. The Italian renaissance architecture had significant impact on the world at that time, displaced only by the advent of modernist architecture in the twentieth century.  [10]   But even the modern architect Richard Meier notes that the quality of light, expression of structure, as expressed in an interior like Sant Ivo Sapienza, remains influential in the way buildings are designed today. Therefore, the ideas and philosophies that emerged with regard to the architectural design still find a place I todays world. The idea of buildings that reach into the heavens or the principle that an interior should welcome the light into the interior rooms can be traced to this period.  [11]  Much of domestic architecture throughout Europe and America still resists modernism, and you can still drive down the street in Palo Alto and see columned exterio rs on the houses of the wealthy mimicking public buildings and communicating civic power. The focus of Italian architecture was on the creation of open, well-lit, and above all public spaces that welcomed both light and was a reflection of humanistic ideas with special emphasis on the physical and psychological comforts for the people. The developments in Roman architecture with their innovative designs and use of styles such as arches and vaults are the source of inspiration for many architectural masterpieces even today. The modernism period brought changes that have changed the world of architecture forever. These impacts of modernism can be seen not only in the Roman empire but have also spread far and wide during the travels and conquests of the Romans. Conclusion The Scandinavian and Italian art and architecture, and the economic, technological, demographic and cultural changes evolved in tandem. The architectural designs depict the periods and their relative influence with different architects and artists gaining influence in different periods, and their works marked by their characteristic styles, yet having a unifying national touch to them. The styles which were adopted were the neo classism, Romanticism, historicism and vernacular architecture. These trends in architecture coincide with the societal and political changes in these countries during 1920-1970s. The use of wood and concrete and architectural styles like the arches, piers and others are the characteristic features of the times, and a reflection of political and societal evolution. The architecture in Scandinavia and Italy is intermittent with a variety of prevailing conditions, such as those of the society, but also reflect the architects innovation and style. The Scandinavia n and Italian architecture hold onto their uniqueness even today. A visit to these countries show how the architecture has a touch of individuality to it ranging from the buildings, shops, hotels, restaurants and other architectural creations. The modern and contemporary styles have left their mark so prominent, that it can be seen even today. To conclude, it may be said that identity is very important. During the modernism, people found validation and expression in the objects with which they surrounded themselves and therefore their ideologies were reflected in their art and architecture.

Sunday, January 19, 2020

Your MBA classmates

Describe yourself to your MBA classmates. (You may use any method to convey your message: words, illustrations, etc. ) I grew up in a small fishing village in Maine, surrounded by family. Expectations and aspirations are limited in such an environment. I could have made a living exploiting the sea, but chose to do similar work as a corporate executive. Although I have no siblings, my hometown contains over fifty family members, and our agenda of family activities is always packed.Most of my family is employed in the commercial fishing ndustry, which instilled in me at a very young age, the concept of work. At age eleven, I started babysitting and mowing lawns, and at the age of fifteen I applied for my lobster license. The first summer with my license, I took a Job as a sternperson with a fellow female. We were the only two females out there, which was definitely an experience. When the lobstering season ended that year, I took a Job at a grocery store bagging groceries.I saved enoug h money to build a boat and to buy fifty lobster traps; I was on my way. The following summer I continued to work as a sternperson, and I also fished my own traps. I continued lobstering throughout the rest of high school and college, and It helped me finance my college education. In addition to being ambitious and motivated enough to put my heart Into even mundane, low-level tasks, I am also extremely organized. This Is one characteristic that has always received praise. I pay particular attention to detail, which I believe has contributed to my success thus far.I take pride In my work, and I look at It as a epresentation of myself. In my position at Sanford Bernstein as a Consultant Liaison, I market my firm to the financial consulting community. Maintaining the Integrity of the firm Is vital and errors are disastrous. When training new group members, I stress this point most thoroughly. I work In a group that currently has six members. The group serves as a central source of Info rmation for the firm, and Its success relies on an extraordinary amount of cooperation from each of us.As a senior member, I am able to contribute to the roup In several wap Including: training group members, controlling the quality of the group's output, managing and accurately completing multiple requests with short turnaround times, gathering and conveying Information from senior Investment professionals, collecting and calculating data, malntalnlng databases, overseeing projects aimed at making long-term Improvements to the group's processes, and strengthening my own foundation of knowledge to be used as a resource.Recently, as the result of a manager leaving the firm, I have also taken on some of the anagerial responslbllltles for the group Including prlorltlzlng and delegating assignments. Though I am an excellent team player, In business school I would Ilke to sharpen my appearance in order to get my point across.I hope to improve my negotiating skills and to gain more experi ence in getting group members to carry their own weight. At the same time, I do not want to become a tyrant. To be effective, it is important for a manager to maintain the proper balance of power and compassion. Only in this way, will I be able to lead a team of people to realizing the goals of a firm.

Friday, January 10, 2020

Introduction to Roles of Army Engineers

CONTRIBUTIONS OF THE NIGERIAN ARMY ENGINEERS TO NATION BUILDING: CHALLENGES AND PROSPECTS INTRODUCTION 1. Nations of the world set objectives which they continually strive to achieve. These objectives which are regarded to be of benefit to the citizens of the country are collectively known as national interest. The extent to which a nation can achieve its national interest and indeed the influence it wields in the international community depends largely on its level of development. Nation building literally connotes national development.In a contemporary society, the concept of national development is directly linked to the general well-being of a state and its people. National development or nation building is predicated on indices such as economic stability, peace and security of the state. The essence of any government therefore is to provide security and welfare for the citizenry to achieve stability and peace. Nation building is a continuous process. It represents the process wh ereby changes are effected within any society to generate wealth, create economic opportunities and bring about peace, stability and security. . Over the last half century, some advanced countries like the USA, China and Israel among others have implemented various plans towards development. One of such plans is the use of their military in national development. Historically, military involvement in nation building can be traced to socialist countries like Russia, China, Cuba and Vietnam where the military was engaged in developmental activities such as agriculture and manufacturing.Later in the face of economic challenges, countries like Indonesia, India, Pakistan and Iraq also used their military in nation building through their military engineers for road construction and industrial development. This contributed to the development of their national economy. 3. A nation is defined as ‘a large body of people united by common descent, culture or language, inhabiting a particul ar state or territory’. On the other hand, building is ‘the business or task of constructing houses, factories, bridges and other large structures’.Hence, nation building could be described as a structural transformation of all facets of national lives such as economic, political, social and technological endeavours in order to make a nation more viable for development. 4. Similarly,in developing countries like Nigeria, it has become imperative that the military be actively involved in nation building to compliment the efforts of all other sectors involved in such activities. The NA through the Nigerian Army Engineers (NAE) has been in the forefront of this drive, in addition to its role of the defence of the territorial integrity of Nigeria.The NA also has the responsibility of aiding civil authority in disaster management or civil construction works which are normally carried out by NAE. However, the NAEhas the primary role of helping the NA to live, move and f ight. These include construction of roads and bridges, reconstruction and rehabilitation of facilities and water supply. For example, the NAE constructed the first road to Mambilla Plateau, of the then Northern Region now Adamawa State, in the 1960s. The Corps was also involved in the construction of a bridge across River Rima and the reconstruction of Ayakoromo town in 2010.When the NAE plays these roles, it is inadvertently contributing to nation building. 5. It is pertinent to state that NAE evolved from the Royal West African Frontier Force (RWAFF) which dates back to the early Twentieth Century. The NAE were part of the Royal British Engineers which surveyed and fixed the boundaries of what is now known as Nigeria with the neighbouring French and German colonies. In spite of the contributions of the NAE in nation building, the corps encountered some challenges while performing their functions.These challenges include dearth of equipment, absence of legal backing and shortage of manpower among others. It is against this background that this paper seeks to examine these challenges in order to proffer viable solutions for the NA in supporting the NAE towards efficiently contributing to nation building. It is written for the Director Department of Land Warfare in partial fulfillment for the award of Pass Staff Course. 6. The purpose of this paper therefore is to examine the challenges and prospects of the contribution of NAE to nation building.The paper will discuss an overview of NAE and the contributions of NAE to nation building. It will further appraise the contributions of some other countries to nation building in order to draw lessons for NAE. Finally, it will examine the challenges and prospects of the NAE’s contribution to nation building. This paper will however be limited to NAE‘s contribution to nation building in terms of structural constructions and projects. The aspects of peace and security as part of nation building will not be d iscussed. It is assumed that the reader is conversant with the concept of nation building.This would therefore not be discussed in detail. AIM 7. The aim of this paper is to discuss the challenges and prospects of the contributions of NAE to nation building with a view to making recommendations. ——————————————– [ 1 ]. 1. Encarta Dictionary, 2012. [ 2 ]. 2. Robert B Schulz, The Dynamics of Development in the Engineering Nation, (Canberra, Canberra University Press, 2004). [ 3 ]. 3. Olaniyi AA, Maj Gen, Capability of the Nigerian Army Engineers in National Development, (Unpublished, May 2012). [ 4 ]. 4. Ibid. [ 5 ]. 5.Catherine S, Angus S, The Concise Oxford English Dictionary, Indian Edition, (New Delhi: Oxford University Press Ltd, 2007), P. 952. [ 6 ]. 6. Op. cit. Encarta Dictionary. [ 7 ]. 7. Constitution of the Federal Republic of Nigeria 1999. [ 8 ]. 8. NA, Electrical and Mec hanical Engineering Precis (Nigerian Army School of Military Engineering, 1996), P. 11. [ 9 ]. 9. Abubakar, S, â€Å"How Military Bridge Brought Succour to Sokoto†, Daily Trust (Sokoto), 25 Oct 10, P. 3. [ 10 ]. 10. Olawuni, T, â€Å"Hope Rises for Ayakoromo Community as Jonathan Orders Reconstruction†, Business Day (Lagos), 16 Dec 10, P. 5.

Thursday, January 2, 2020

Does fairtrade has a future in this world Essay - 3311 Words

Does Fair Trade have a future in this world? Table of content 1. Introduction and Problem statement. Nowadays, Fair trade products are hot items. In 2006 worldwide sales came up to 1.6 billion Euros of Fairtrade Certified Products. This was about 42% more than it was the year before. Even the products coffee and cocoa knew a bigger growth in the numbers 53% and 93% respectively (Fairtrade Labelling Organizations International Annual Report, 2006/07) Fair trade is an alternative approach to trading partnerships that aims for sustainable development of excluded or disadvantaged producers in the Third World. It seeks to achieve this by providing better†¦show more content†¦When their attitudes will be positively influenced this will also influence their behavior, which has a positive effect on their fair trade buying behavior. This support what Shaw and Shiu in de Pelsmacker Jannsens (2002) found out: processing of information about an ethical issue will determine consumers’ beliefs, behavior and attitudes. There are two constructs of attitude towards fair trade in general: a negative construct and a positive construct. The negative construct: skepticism which has a negative effect on people their fair trade buying behavior. The positive construct: concern about fair trade issues, which has a positive effect on people their fair trade buying behavior. Out of all the above named trade-offs the current study focuses on two kind of trade-offs: price and fair trade concern. 2.1 Price and fair trade buying behavior In this case price is described as how much money consumers spend on fair trade products. In definition fair trade means: to ensure stable trading conditions for producers in developing countries who are disadvantaged (Ozcaglar-Toulouse, Shiu Shaw, 2006). 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